A barely audible ff septuplet of semiquaver chords and two rabid glissandi are thrown in by the soloist, before piano and bass section end the movement in five different Gs.
独奏者敲出一个几乎听不清的使用最强音的十六分音音弦两个狂的滑音,然后,钢琴部分在五个不同的G上结束了本乐章。
A barely audible ff septuplet of semiquaver chords and two rabid glissandi are thrown in by the soloist, before piano and bass section end the movement in five different Gs.
独奏者敲出一个几乎听不清的使用最强音的十六分音音弦两个狂的滑音,然后,钢琴部分在五个不同的G上结束了本乐章。
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