Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都创作于1926年之后，当尔带着玛莎——特儿，灵感和妻——搬进了戛城郊一个不起眼别墅“乐凯斯”。