However his huge success had much to do with his mentor, Gustavo Flaubert.

然而，莫泊桑的巨大成功和他的文学导师福楼拜分不开的。

The newspapers had, for Flaubert, armed stupidity and given authority to fools.

对于福楼拜而言，纸武装愚蠢，并赋瓜权威。

It had much in common with Realism, which aimed to present an accurate evocation of ordinary life, as exemplified in Gustave Flaubert's Madame Bovary.

它与现实主义有许多共同点， 后者旨在准确再现日常生，正如古斯塔夫·福楼拜的《包法利夫人》所展示的那样。

Flaubert, I think it was, who said that before you begin to write, you have to dry your tears and silence your laughter.

我想福楼拜说过， 在你开始写作之前，必须擦干眼泪， 止住笑声。

New York, for a young man who had frequented the Goncourts and Flaubert, and who thought the life of ideas the only one worth living!

纽约， 对于一个经常光顾龚古尔和福楼拜的年轻人来说，他认为思想的生唯一值得过的生！

Flaubert described himself in a letter as being in a semi-diseased state, " itching with sentences." He just had to get them out.

福楼拜在一封信中形容自己处于一种半病态的状态，“对句子心痒痒”。他只需要把他们救出来。

Stories are told of scrupulous writers like Flaubert, who spent days trying to get one or two sentences exactly right.

很多故事都讲述像福楼拜这样一丝不苟的作家，他们花好几天时间试图把一两句话写对。

In the 1870s, Flaubert began keeping a record of what he judged to be the most idiotic patterns of thought promoted by the modern world in general and by newspapers in particular.

在19世纪70年代，福楼拜开始记录他认为最愚蠢的思维方式，这些思维方式由现代社会， 尤纸所推广的。

After 1856 Gustave Flaubert's debut novel Madame Bovary appears in serial form in the literary magazine Revue de Paris.

1856年后，古斯塔夫·福楼拜的处女作《包法利夫人》以连载形式出现在文学杂志《巴黎评论》上。

Ford, it is claimed, is of the school of Stendhal and of Flaubert; Ford is a psychologist.

据称，福特司汤达和福楼拜学派的代表。福特一位心理学家。

Flaubert tells us that from a young age Emma used to read bad romantic novels that gave her an unrealistic, overly rosy picture of love and that meant that she was unprepared for the reality of marriage.

福楼拜告诉我们， 艾玛从小就读一些糟糕的浪漫小说，这些小说给她描绘一个不切实际、过于美好的爱情图景，导致她对婚姻的真实情况毫无准备。

Gustave Flaubert was a bourgeois, a middle-class Frenchman, and yet he loathed a great deal to do with his country and his class.

古斯塔夫·福楼拜个资产阶级， 一个中产阶级的法国人，然而他对自己的国家和阶层却深恶痛绝。

Flaubert's novel shows us the tensions and travails of married life without ever really taking sides.

福楼拜的小说向我们展示婚姻生的紧张与艰辛，却从未真正偏袒任何一方。

At the age of 17, in a somewhat melodramatic mood Flaubert wrote " Art is superior to everything, a book of poetry is worth more than a railway."

17岁时，福楼拜在一种略显夸张的情绪下写道：“艺术高于一切，一本诗集比一条铁路更有价值。”

Paradoxically, one can perhaps be proudest to be French when one reads Gustave Flaubert.

矛盾的，也许在阅读古斯塔夫·福楼拜的作品时， 身为法国人会感到最为自豪。

Flaubert wrote arguably the single greatest tragic novel ever written, Madame Bovary, which he worked on for five years and published in 1857.

福楼拜创作可能有史以来最伟大的悲剧小说《包法利夫人》，他花五年时间来撰写， 并于1857年出版。

Flaubert wrote that he had nothing but disdain for this good civilization that prided itself on having produced railways, poisons, cream tarts, royalty and the guillotine. What Flaubert hated above all was pomposity.

福楼拜写道，他对这个自诩发明铁路、毒药、奶油塔饼、皇室和断头台的良好文明只有鄙视。福楼拜最憎恨的虚张声势。

Flaubert seemed almost deliberately to enjoy unsettling the desire to find easy answers.

福楼拜似乎几乎故意要享受破坏寻找简单答案的欲望。

Flaubert keeps the word in italics throughout to send up the neo religious reverence in which this object is held.

福楼拜在整个文本中都用斜体字来讽刺这种物品所受到的类似新宗教般的崇拜。

One of those reading the newspaper was the 27-year-old aspiring novelist Gustave Flaubert who grew so fascinated by the story that he used it to provide him with the exact plot structure for his eventual novel Madame Bovary.

中一个正在读纸的27岁的青年小说家古斯塔夫·福楼拜，他对这个故事如此着迷，以至于将作为自己未来的小说《包法利夫人》的确切情节结构。