This creepy-crawly garment was created by Englishman Simon Peirce and American Nicholas Godley, who sought to recreate extinct 19th century techniques in which Madagascar's golden orb spiders were harnessed for their silk.

款令人毛骨悚然的服装是由英国人西蒙·皮斯和美国人尼古拉斯·德创造的，他们试图重现19世纪已消失的技术， 用马达加斯加的金丝蜘蛛来获取它们的丝。

But Britten, and actually it was Peirce, because it's in his handwriting in the score, rewrote that because it's not about the dead.

但布里顿，实际上是皮斯，因为乐谱上有他的笔迹，重写了那部分， 因为并非为逝者而作， 而是为生者而写。

And that was a very big case, and I became involved through the firm I was working at, Birnberg-Peirce.

那是一起重大案件，我通过当时任职的律师事务所——伯恩伯格-皮斯律师事务所参与其中。

This special kind of icon Peirce referred to as a diagram.

种特殊的图标称为皮图。

Peirce uses the term for those signs that convey a certain similarity with an object.

皮用个术语来表示那些与物体有某种相似性的标志。

Gareth Peirce, one of the founders of Birnberg-Peirce, had been contacted by a campaign group supporting the family of Jean Charles de Menezes.

盖雷斯·皮丝， 伯恩伯格-皮丝律师事务所的创始人之一，被一个支持约翰·查斯·德梅内泽斯家属的活动团体联系了。

Peirce thought that there were three distinct modes to the sign.

皮认为符号有三种不同的模式。

According to Peirce, only one type of sign, which he calls 'symbol', represents a conventionalized relationship with an object, and therefore comes close to Saussure's standard interpretation of the arbitrary sign.

按照皮的说法， 只有一种符号，他称之为“象征” ，代表着与对象的约定俗成的关系，因此接近索绪对任意符号的标准解释。

Yet it is the third type of sign proposed by Peirce (the icon) that is most relevant for the issue of iconicity and its cognitive interpretation.

然而, 皮提出的第三种符号(图标)与图标性及其认知解释问题最为相关。

So a map of a city is a special case of icon, which Peirce called a diagram.

所以城市地图是图标的特例 皮称之为图表。

So Peirce, in some way is expanding on Saussure's model.

皮在某种程度上扩展了索绪的模型。