Rodin's depiction insists on the carnality of love.So do Hogarth's paired paintings Before and After.
罗描绘的是欲爱,像荷加斯的那两:《前》和《后》。
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So if he really wanted to underline that, I think the point he was trying to make was that Saxon was all about carnality and getting after it, and so then Piper should get after it in the final episode.
所以, 如果真的强调这一点,我认为达的是, 萨克完全沉迷于追求享乐,因此派珀也应该在最后一集中尽情享受。
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