Instead of voyeurism and fetishistic fixation, there is spatial disorientation; instead of the logic of the 'scene', it is semantic clusters, mental maps, spatial metaphors that organize comprehension and narrative transformation.

它上的迷惑替代了偷窥欲和拜欲的迷恋，语义簇、心理图和喻代替了场景的逻辑性，组织了对理解和叙事的转换。