This is the Shepard tone illusion, and here's a Shepard glissando on its own.

这就是谢泼德音调错觉，而这里单独呈现是谢泼德滑音。

When the transition between tones is continuous, it’s called a Shepard–Risset glissando.

当音调之渡是连续时， 它被称为 Shepard–Risset glissando。

You're doing a lot of glissando on those strings and you're screeching them.

你在那琴弦上做了很多滑奏，并且让它们发出尖锐声音。

There's some lovely scenes where just there's just like harp glissando on the soundtrack and People just going through book stalls, used bookstores, looking through all of these really old, tattered paperbacks.

影片有美妙场景，背景音乐伴随着竖琴滑音，人们漫步于书摊、旧书店之，翻阅着那陈旧、破损平装书。

He adopted a number of elements from what he heard, like unusual rhythms. And he liked to use the glissando as his hallmark, which he probably got from listening to Croatian folk music.

他从他听到声音采纳了素，比如不寻常节奏。他喜欢用滑音作为他标志，这可能是他听克罗地亚民音乐后得到。

There are these harp glissandos and piano, subtle piano pieces, but they're walking through like this beautiful park in Caracas by, designed by Roberto Burle Marx, the great Brazilian, it's just a famous park, but it, Brazilian landscape architect.

这里有着竖琴滑音和钢琴细腻乐章，他们仿佛漫步在卡拉卡斯这座美丽公园，该公园由伟大巴西人罗伯托·布雷·马克思设计，是座著名公园， 出自巴西景观建筑师之手。

And you know, a lot of times we think of the harp as this kind of angelic sounding instrument that's in the orchestra, that gets used on TV and ads for like recalling dream sequences, you know, the big glissandi.

你知道，很多时候我们把竖琴视为种天使般声音乐器， 它常在管弦乐队出现，也被用于电视和广告， 用来唤起梦境般场景，比如那大幅度滑音。