A barely audible ff septuplet of semiquaver chords and two rabid glissandi are thrown in by the soloist, before piano and bass section end the movement in five different Gs.
He adopted a number of elements from what he heard, like unusual rhythms. And he liked to use the glissando as his hallmark, which he probably got from listening to Croatian folk music.
屋顶，风，
不清
使用最强音
文化
过渡是连续
，
能是他听克罗地亚民间音乐后得到
