A barely audible ff septuplet of semiquaver chords and two rabid glissandi are thrown in by the soloist, before piano and bass section end the movement in five different Gs.
He adopted a number of elements from what he heard, like unusual rhythms. And he liked to use the glissando as his hallmark, which he probably got from listening to Croatian folk music.
者敲出一个几乎听不清的使用最强音的十六
音
七连音和弦和两个狂燥的滑音，然后，钢琴和铜管部
个不同的G上结束了本乐章。
过渡是连续
Shepard–Risset glissando。
寻常
