Naturalism isn't always the best for intelligibility, though.

不过，行动并不总最可理解的。

It took a bunch of inspiration from the sordid side of naturalism.

它的灵感来于义肮脏的一面。

The Grand Guignol with all its rabies and insanity and troubling exoticism is another offshoot of French naturalism.

有着狂犬病、疯狂和令人不安的异国情调的“恐怖剧”其实法国义的另一个分支。

It's important to know that Symbolism happened as a reaction to art movements like impressionism, naturalism, and realism.

重要的要知道象征义对印象派、 义和现实义等艺术运动的一种反应。

Spoiler alert: Nothing good! Naturalism doesn't include a lot of happy endings.

没有一个好的！义戏剧的结局没几个好的！

An ardent naturalism uplifts and consumes his soul.

一种狂热的义提升并吞噬了他的灵魂。

Symbolists wanted to reject naturalism and preferred idealism to realism.

象征义者想要拒绝义，更喜欢理想义而不现实义。

Instead of the well-made play formula, Zola said that theater should use other formulas: scientific formulas! This was naturalism.

佐拉说 戏剧不应该一味遵循“佳构剧”的形式 而应另寻他式 比如“科学公式”！ 这就义！

American naturalism had been shaped by the war; by the social upheavals that undermined the comforting faith of an earlier age.

美国义和影响人们早期信念的社会动乱的影响之下形成的。

(4)One of the most significant American writers known as literary naturalism.

文学义的美国最重要的作家之一。

Against any ideology of naturalism, a consciousness of fiction is obviously essential to drama.

与任何义意识形态相反， 虚构意识显对戏剧来说必不可少的。

(5)Fictions a world of jungle, and naturalism found expression in almost every book he wrote.

小说中一个弱肉强食的世界，义几乎体现他写的每本书中。

Realism and naturalism promise us art that looks a lot like life, but it turns out that life isn't always so easy to stage.

艺术虽看着很像生活 但事实证明 生活并不总那么容易上演的。

By an astonishing stroke of luck, we know that this detailed naturalism was only one of the styles that Ice Age artists had at their disposal.

通过极妙的机缘巧合，我们认识到这种细节逼真的义风格仅仅冰河时代艺术家们进行艺术创造的众多风格之一。

They staged mostly melodramas. But Namir Vich Den Chenko who we've mentioned and his partner famed theatre director Constantin Stanislavski wanted a theater devoted to realism and naturalism.

它们上演的大多情节剧 而拿米尔威驰登辰蔻 我们之前提到过他 和他的搭档著名戏剧导演康斯坦丁斯坦尼斯拉夫斯基 想要一个演出现实义和义戏剧的剧院。

Inspired by both Michelangelo and classical Greek sculpture (which had itself inspired Michelangelo), it was way ahead of its time and was fiercely rejected by the critics, due to its extreme naturalism.

它受到米开朗基罗和古典希腊雕塑的启发（古希腊雕塑本身就米开朗基罗的灵感来源），它远远超前于它所处的时代，由于其极端的义而遭到批评家的强烈反对。

In the same way, argues Ms Burke, the popularity of single-point perspective and naturalism in drawing meant Renaissance women were bombarded with " endless images of newly realistic naked goddesses being churned out in sculptures, painting and prints" .

伯克认为，以同样的方式，单点透视和义绘画中的流行，意味着文艺复兴时期的女性被“雕塑、绘画和版画中大量涌现的新写实义风格的无数裸体女神形象所轰炸”。