He saw himself as many characters: as Semar, the wise demigod-turned-jester of Javanese shadow-theatre, and as the “drunken master” of kung-fu films, expertly waddling in, in his cheap batik shirts, to bang heads together.
一个西玛——爪哇皮影戏中半人半神的小丑,一个功夫电影中的醉仙,穿着便宜的蜡染衬衫,迈着潇洒的醉步,处处逼人就范。