Such impressiveness usually takes the form of a truly grandiose realism.
这种感人的情景通常采的蔚为壮观的写主义手法现出来。
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This stylized treatment continues through Nell's debut in society, where, Hallett writes, she stunned the London season with her " red hair, milk-white skin, green eyes, and a waist that looked small enough to snap in two."
这种非写实的处理一直延续到内尔在社会上的首次亮相,哈利特写道,在那里,她以“鲜红的头发、奶白色的皮肤、绿色的眼睛和看起来细到可以折成两半的腰”震惊了伦敦季。
In the same way, argues Ms Burke, the popularity of single-point perspective and naturalism in drawing meant Renaissance women were bombarded with " endless images of newly realistic naked goddesses being churned out in sculptures, painting and prints" .
伯克认为,以同样的方式,单点透视和自然主义在绘画中的流行,意味着文艺复兴时期的女性被“在雕塑、绘画和版画中量涌现的新写实主义风格的无数裸体女神形象所轰炸”。