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Architecture has always been a collaborative exercise, so it's not surprising to find that virtually all the drawings for the baldachino are by Borromini.
In drawing up plans for a ship meant to navigate underwater, I wanted it, when floating on the waves, to lie nine-tenths below the surface and to emerge only one-tenth.
But if we see that pattern at longer, redder, wavelengths than we expect, we know the object is actually moving away from us, its light has been stretched by the expanding universe.