Her experience and miscellaneous reading were of service now, for they gave her some idea of dramatic effect, and supplied plot, language, and costumes.
Expressionist classics, like Metropolis and Nosferatu, soon followed, using that same lighting, drama, and, of course, Dutch angles—this time, using the camera to tilt the scene instead of the set.
All that's left now is to utter some magic words perhaps wave your magic wand a bit for dramatic effect and pull a rabbit from the house to the delight of the ground.