In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.
Using plainspun humor as a brilliant counterpoint and never substituting cant for story, he sketches a world of Darwinian struggle where all the savages wear three-piece suits.
" We've developed a technology that converts any two-dimensional image in a painting, drawing collage, photograph, satellite view to a three-dimensional tactile image" .