It all started with a woman. Her name was Lena, a real flesh-and-blood Roman beauty, much the most voluptuous of all of Caravaggio's models.

事情的起因是女人，她的名字叫莱娜，有血有肉的罗马美人儿，在乔的所有模特中她是最迷人的。

At the same time, we inflict fear and pain on millions of sentient beings, each one an individual with his or her personality, and emotions.

同时，我们使不计其数的生灵遭受恐惧与痛苦，而它们也都有血有肉有情感。

" Neither. He's a-a-a meat dog, " said the girl.

“都不是。它是有血有肉的狗。”

We falsely imagine that the only speeches we can ever usefully make are to flesh and blood attentive listeners; in truth, it may matter far less that we are heard than that we have a chance to speak.

我们错误地以为，只有对着有血有肉、专注的真人说才有用；但实际上，能说出心里，哪怕没人听，对我们来说也很重要。

You bring them both together and so that he becomes a three dimensional figure.

你应该将二者结合，这样他才是有血有肉有灵魂的人物。

He does us, flesh and blood, you and me.

他在创作我们，像你我般有血有肉的人类。

The holy man of the Church is, above all, a physical presence.

最重要的，这教堂里的圣人成有血有肉的人。

From an artist whose highest compliment was to call you a human being.

来自艺术家的最高致意就是他把欣赏者视为真正有血有肉的人。

Yeah, maybe if those two people had raised us, there would have been room in our house for other people to have emotions and somebody wouldn't have had to shut himself down.

如果是他们俩教养我们长大，那么家里也不会容不下有血有肉有感情的人，某人就不用搞自闭，封闭感情。

She wanted to catch him by the shoulders and hug him to her, make him realize that she was flesh and blood and not something he had read or dreamed.

她要抓住他的肩膀把他进怀里，让他明白她是有血有肉的人，而不是他所读到过或梦见过的什么东西。

She was so human, just standing there, and talking half Yiddish, half Hebrew. Once in a while, talking to me.

她是有血有肉的人，她站在那里，有时说依地语，有时说希伯来语，偶尔会跟我说两句。

They later overthrew this one in the hope of presenting the audience with a more real flesh and blood figure.

他们后来推翻这点，希望给观众呈现更加真实的有血有肉的人物。

Whatever its meaning, whatever its purpose, 6000 years have passed, the flesh-and-blood people who created it have vanished

无论它的意义和目的是什么，6000年已经过去，创造它的有血有肉的人已经消失。

I mean, all of us have blood in that movie and all of us are using.

我是说，在那部电影里我们都有血有肉，而且我们都在用。

And suddenly this character became like flesh and bones and cells and dreams and longings and a heart and ancestry.

突然间，这角色变得有血有肉、有骨骼、有细胞、有梦想、有渴望、有心脏、有祖先。

Still, it's a drama of the flesh no one, not even Michelangelo, had made quite so gripping.

尽管如此，这也算得上是有血有肉的戏剧，没有人，即便是米开朗基罗也不能创作出如此引人注意的作品。

Are we really human beings of flesh and blood?

我们真的是有血有肉的人吗？

I need for a character to be a human being.

我需要让角色成为有血有肉的人。

It is a stark reminder that behind every death statistic is a human being.

这强烈提醒我们，在每死亡统计数字背后，都是有血有肉的人。

Because we are infallible humans who have emotions running the show.

因为我们是有血有肉的人类，情感主导着切。