And is composed in iambic pentameter which is a type of poetic meter.

它是用五音步写成的这是一种诗歌。

Subject-object-verb languages, like Japanese, place the article after the noun, which creates a somewhat more inverse sound pattern.

主语-谓语-宾语的语言，例如日语，会将冠词放置在名词之后，产生一种较反转的音韵。

Like most classical French playwrights, Racine wrote in a metrical line called an alexandrine, a twelve-syllable line of iambic hexameter.

和大多数法国的古典主义剧作家一样 拉辛用一种叫做亚历山大体的来写作 即一种十二音节的诗行。

The Kalevala comprises fifty poems in trochaic tetrameter, known as the Kalevala metre.

《卡勒瓦拉》由五十首以四音步写成的诗篇构成，这种被称卡勒瓦拉韵。

Each genre relied on alliteration rather than rhyme for rhythm, but eddicverse used simpler meters.

每种体裁都依赖头韵而非尾韵来构建节奏，但埃达诗体采用了更简单的。

They're a particular meter called the dactylic hexameter, which has six beats and is quite a long line.

它们是一种称音步的，每行有个音步，相当长。

Using that going to phrase gave the line the ten syllables that it needed for iambic pentameter.

使用那个即将到来的短语，这行诗句赋予了所需的十个音节，以符合五音步的要求。

Their conceits were lofty, their styles stately, their conveyance clear, their terms proper, and their meters sweet and well-proportioned.

他们的自负高大上，他们的风庄重，他们的表达方式清晰，他们的条款得体，他们的甜美而匀称。

Sidney's own poetry is characterized both by such aims as these and by wide-ranging metrical experiment.

西德尼自己的诗歌的特点既是这样的目标，也是广泛的实验。

Like Chaucer, he rejected the native accentual and alliterative verse, preferring metrical composition.

和乔叟一样，他拒绝了本土的重音和押头韵诗，更喜欢创作。

They are written in various styles and meters, and show plainly that Spenser was practicing and preparing himself for greater works.

它们以各种风和书写，清楚地表明斯宾塞正在实践并更伟大的作品做准备。

His poems have been characterized by a deep religious devotion, s linguistic precision, metrical agility, and ingenious use of conceit.

他的诗歌的特点是深厚的宗教信仰、语言的精确性、的敏捷性和对自负的巧妙运用。

In his plays, Marlowe also advanced far beyond the previous attempts at serious drama He gave English tragedy its true meter and diction.

在他的戏剧中，马洛也远远超越了以前对严肃戏剧的尝试，他赋予了英国悲剧真正的和措辞。

After, 1668. Jean de La Fontaine adapts his collection of fables from classical sources, including Aesop and Phaedrus, stretching the metrical verse of the time.

其后，1668年， 让·德·拉封丹从古典源头改编了他的寓言集，包括伊索和费德鲁斯的作品， 拓展了当时韵文的。

That suggests that he didn't have time to compose highly structured passages using iambic pentameter or some other meter, or passages using rhyming verse.

这表明他没有时间去创作使用五音步或其他的高度结构化的段落，或者使用押韵诗的段落。

And as I noted in that earlier episode, the most popular rhythm or meter to develop in the 1500s was what I described as the five-heartbeat rhythm.

正如我在早先的节目中提到的，16世纪最流行的韵或， 就是我所说的“五拍节奏” 。

Whatever vein he writes in—pious, courtly, satirical, cynical, or merely abusive—he is always the artist, with an artist's delight in language and meter for their own sakes.

无论他以何种方式写作——虔诚、彬彬有礼、讽刺、愤世嫉俗，或者仅仅是辱骂——他永远是艺术家，带着艺术家对语言和的喜爱。

Recognized by his contemporaries as the foremost poet of his time, Spenser was not only a master of meter and language but a profound moral poet as well.

斯宾塞被同时代人公认他那个时代最重要的诗人，他不仅是一位和语言大师，也是一位深刻的道德诗人。

The most famous example is Spenser's Epithalamion, whose long stanzas did play an astonishing metrical complexity, fairly illustrating the height of Elizabethan craft in verse.

最著名的例子是斯宾塞的 Epithalamion，它的长节确实发挥了惊人的复杂性，公平地说明了伊丽莎白时代诗歌技巧的高度。

But, you know, the poem isn't rhymed, and it isn't metered, but in my sonnets I do try and I don't want them to track linearly, you might say.

不过你知道的，这首诗没有押韵，也没有固定的，但在我的十四行诗里，我确实会尝试运用，又不希望它们显得线性、直白。