This artist only used a few strokes to illustrate the scene.

这位艺家只用几个描绘这片风景。

They're like, brush strokes, the color palette.

有效果，还有它的调色。

The work is rough, the brush strokes are loose and expressive.

品很粗糙，松散，却表现力强。

With just a few rough strokes he produces intense realism.

他仅用几粗糙就描绘出真实。

This new India, she adds wryly, is not always easy to like.

“这个新印度”，她以冷酷的写道，“不总是容易让人爱上。”

Renoir used loose brushstrokes and colors that make the whole scene look sunlit and lively.

雷诺阿使用宽松的颜色，使整个场景看起来阳光明媚，充满活力。

The sky is painted with Vincent's signature short brush strokes of thick IMPASTO.

天空是用文森特标志性的粗 IMPASTO（厚涂颜料）短绘制的。

I just had to re-create Lily's painting of pig Lily, and she'd be none the wiser.

只要我模仿莉莉的，再画一张莉莉猪她就不会察觉。

During his prolific career Van Gogh created many masterpieces using his signature expressive brushstrokes and brilliant colors.

在他多产的职业生涯中，梵高用他标志性的富有表现力的绚丽的色彩创了许多杰。

This painting showcases the bustling scenes of the prosperous streets in Bianjing during the Northern Song period.

这幅画以细腻的独特的透视技巧，展示了北宋时期汴京繁华街道的繁忙景象。

The loose brush work on the laughing cavalier's lace collar is an unparalleled example of Hals' incredible technique.

《微笑的骑士》花边领上的松散是一个展示哈尔斯惊人技的绝佳例子。

Leonardo da Vinci had to discern which stroke was the next best one to perform with his paintbrush.

莱昂纳多·达·芬奇必须懂得辨别下一步最佳的画在哪里。

It is these paint heavy, stabbing brush strokes, that distinguishes Vincent from the other post-impressionists.

正是这些厚重的，将文森特与其他后印象派画家区分开来。

Like Francisco Goya, who used short brushstrokes to express inner turmoil and different color combinations to highlight his melancholy.

比如弗朗西斯科·戈雅，他用短促的表达内心的挣扎，并通过不同的色彩组合突出自己的忧郁。

His early abstract paintings bear the vital brushstrokes of this expressive era, but unmemorably so, and were duly forgotten.

那是一个富于表现力的时代，李奇登斯坦早期的抽象画带着充满活力的时代，但却缺乏特色，理所当然地被人们遗忘了。

Layers and layers of red paint were then added, in fast brush strokes, using big 5-inch house-painter's brushes.

然后，用5英寸大的房屋油漆匠的刷子，用快速的，一层又一层地涂上红色油漆。

His brush stroke so subtle as to be invisible to the naked eye.

他的非常微妙，肉眼看不见。

He used tiny, almost invisible brush strokes applied super slowly over months or in Mona Lisa's case, years.

他使用微小的，几乎看不见的，非常缓慢地用了几个月，或者在蒙娜丽莎的例子中，用了几年去描绘这幅画。

He studied their bright colors, rough brushwork, and everyday scenes.

他研究了他们鲜艳的色彩、粗糙的日常场景。

The most commonly recommended techniques incorporated circular movements and horizontal brush strokes.

最常推荐的技包括圆周运动水平。