Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.
雪,松,山峦叠嶂风清冽。时雨霁云开,时骄阳遍野,童话般
原木石屋错
在峡谷间,参差着奢华魅影,如花笑颜。
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Expansive use of colour was crucial to them all. In Jawlensky's “Summer Evening in Murnau” (1908), the Alps, which rise up dramatically beyond the green meadows, are painted in rich blue, wine red and tangerine.
对他们来说,描绘世界的关键就是大量地使用色彩。例如,在亚夫伦斯基作于1908年的《穆尔瑙夏夜》
件作品中,画家为了
阿尔卑斯山同远处的绿色草地形成高低错落的戏剧性效果,他在描绘山峰时使用了深青色、葡萄酒红色和橘红色等三种颜色。
It was thickly ornamented with paintings representing funeral scenes and other mournful subjects, interspersed among which, in every variety of position, were certain series of hieroglyphical characters intended, no doubt, for the name of the departed.
其上密布着描绘葬礼场景及其他哀悼主题的绘画,
画作之间,错落有致地穿插着一系列象形文字,无疑是为了纪念逝者的名字。