We've got to get this first time and we've got to make sure that we're not going to have to call them into an ADR suite because it's not going to be funny a second time.
And I said, well, I think for me to guarantee that I can deliver this musical 100% live without the need for any technical ADR, if you want to ADR for creative reasons, then that's your business.
And the arrangement that I had with Pablo Hellman, our VFX supervisor, was, Pablo, look, I'm not going to put a radio mic on the outside unless I think that the costume is going to lead to ADR.