And in this particular opera we have a famous aria.

而这部歌中 有首着名的咏叹调。

So a recitative will be--and indeed all the arias will be accompanied by basso continuo.

宣叙调 实际上还有所有的咏叹调都是由持续低伴奏。

Now we're going to focus on four sopranos singing the same aria by way of comparison here.

现来听四位女高唱同一首咏叹调来比较一下。

Vishnevskaya made her American debut in 1960, the same year she recorded this aria for Madama Butterfly.

维什涅芙丝卡娅1960年首次登上美国舞台，同年她录制了《蝴蝶夫人》的咏叹调。

It's an aria-- and we'll talk about what an aria is later-- but it's an aria from his opera Gianni Schicchi.

这是咏叹调 以后再说什么是咏叹调这是他的歌《贾尼斯基基》的一段咏叹调。

So Lauren, can you tell us something about this aria? Who's singing it?

劳伦 你能否讲讲这首咏叹调的背景例如这是哪个角色唱的？

This difficult aria gives a good example of the sweet and expressive voice that made Beverly Sills famous.

这首有难度的咏叹调是展现希尔斯甜美而富有表现力的声的一个很好的例子，正是这让她成名。

Humidity seeps through the sultry rhythm of George Gershwin's aria.

乔治·格什温 (George Gershwin) 的咏叹调闷热的节奏中渗入了湿气。

While bel canto singers require versatile vocal folds to vault through acrobatic arias.

而美声歌手需要多才多艺的声带才能杂技咏叹调中跳跃。

As he finished the aria, there was silence.

当他唱完咏叹调时，全场一片寂静。

Puccini's delightful arias seem to capture the spirit of this wonderful corner of Italy.

普契尼 (Puccini) 令人愉悦的咏叹调似乎抓住了意大利这个美妙角落的精神。

When he finished singing the aria, he heard someone applauding.

当他唱完咏叹调时，他听到有人鼓掌。

So in an aria, the singer will start talking about love and then the second part will talk about sadness.

因此，咏叹调中，歌手首先开始谈论爱情，然后第二部分将谈论悲伤。

Or that Mrs. Menendez had caught him belting out an aria.

或者梅南德斯夫人发现他高唱咏叹调。

In the aria, she's both accusing Jason of cruelty and begging him for pity.

咏叹调中，她既指责杰森残忍，又恳求他怜悯。

You taught aria how to ride a bike. That's plenty.

你教会了艾瑞亚骑车 印象深刻。

It was a tradition at Leonardo's bar and grill, an hour before closing time, a waiter would sing a selection of ridiculously depressing Italian arias.

Leonardo烧烤酒吧有这么一个传统，打烊前的一个小时，一位服务员要唱一系列的悲情的意大利咏叹调。

It was " Nessun Dorma, " an aria from Turandot , a famous opera.

这是著名歌《图兰朵》中的咏叹调“今夜无人入睡”。

" I love his recording of 'Nessun Dorma.' Nobody can sing that aria like Pavarotti." Mrs. Menendez sighed.

“喜欢他录制的《今夜无人入眠》。”没有人能像帕瓦罗蒂那样唱出这首咏叹调。”梅嫩德斯夫人叹了口气。

But the tingling sublimity which we feel in the Queen of the Night’s aria no longer reflects a yearning for order, but a sense of our littleness in the face of immensity.

但是，从夜女王刺耳的咏叹调中听到的庄严，不再反映对秩序的向往，而是面对巨大时的渺小。