The former Hoechst headquarters, a redbrick relic of the 1920s, is an admired piece of Bauhaus architecture.
一座1920砖建筑,作为前赫斯特的总部,是豪斯建筑学派的经典之作。
However, the constraint of the using desire and the process of releasing incriminatory sense put the image users onto the passive position of Bauhaus.
它是豪斯的欲望的表达,是豪斯者的认同。
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On the Bauhaus one, everything is intentional.
而包豪斯学派的作品中,一切都是有意设计的。
Nearby, you also have other buildings in the Bauhaus style.
在附近,你还能找包豪斯风格的建筑。
During its heyday (1919-1933), the Bauhaus was the cradle of modern design.
包豪斯(Bauhaus)在鼎盛时期(1919年至1933年)是现代设计的摇篮。
And with it, he achieved the purest manifestation of Bauhaus ideals.
因此,实现了鲍豪斯理想最纯粹的体现。
Even though Bauhaus's designs looked utilitarian, most of them were basically impossible to make at scale.
尽管包豪斯的设计看起来很实用,但它们中的大多数基本上不可能大规模产。
He looked at his bicycle's handlebars and realized, to paraphrase, Bent tubular steel was Bauhaus as heck.
看着自己自行车的车把,意识——弯曲的钢管简直就是鲍豪斯风格。
However, to the vast majority of people, the Bauhaus seems like a rather peculiar and short-lived German art school.
但是,对于绝大多数来说,包豪斯似乎是一所相当陌,且昙花一现的德国艺术学校。
The most stunning representation is the Bauhaus Dessau.
德绍包豪斯是象深刻的代表作。
On the other, he helped to turn the Bauhaus into a kind of free-for-all, experimental laboratory.
另一方面,帮助把包豪斯大学变成了一种免费的,实验性的实验室。
This is where German architect, Walter Gropius, alongside other artists, founded the Bauhaus movement.
这里就是德国建筑师沃尔特·格罗佩斯和艺术家发起包豪斯运动的地方。
In addition to its philosophical and political effects, the Bauhaus was notorious for its outrageous parties.
除了哲学和政治影响外,包豪斯还因傲慢的派对而臭名昭著。
Seen as the pivotal building in Bauhaus, this structure amazed the world with its steel frame construction and asymmetrical plan.
作为包豪斯的中心建筑物,它的钢骨架结构和非对称设计世界震惊。
Not too far away in Weimar is the first official Bauhaus building, Haus am Horn, built for an exhibition in 1923.
在魏玛不远处就是第一栋正式的包豪斯建筑,号角之屋,为1923年展览而建。
In 1932, the Bauhaus school moved to Berlin, where it dissolved itself a year later, due to the Nazi regime.
1932年,包豪斯学校迁了柏林,一年后它在这里被纳粹政权关停。
It was the 1920s and the Bauhaus school of design was becoming popular.
那是 20 年代,包豪斯设计学院开始流行。
Renner wasn’t part of that school, but like Bauhaus designers, he wanted function and beauty.
Renner 不是那所学校的一员,但像包豪斯设计师一样,想要功能和美感。
The most famous example of female creativity at the Bauhaus came from Marianne Brandt and her legendary teapot.
包豪斯女性创造力最著名的例子是玛丽安·勃兰特(Marianne Brandt)和她传奇的茶壶。
29. The exhibit will help you see that there is no single Bauhaus style!
这个展览会帮助你们看,没有单一的鲍豪斯风格。
15. Well, the Bauhaus is not really an artistic style, uh, ...like Cubism.
鲍豪斯不是一种真正的像立体派那样的艺术风格。
Bauhaus architects thought that function was more important than form.
【function】包豪斯学派的建筑师认为功能重于形式。
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