Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都创作于1926年之，博纳尔带着玛莎——他的特儿，他的灵感和他的——进了戛纳城郊一个不起眼的别墅“乐博凯斯”。