This creepy-crawly garment was created by Englishman Simon Peirce and American Nicholas Godley, who sought to recreate extinct 19th century techniques in which Madagascar's golden orb spiders were harnessed for their silk.

款令人毛骨悚然的服装是由英国人西蒙·皮尔斯和美国人尼古拉斯·戈德利创造的，他们现19世纪已消失的技术， 利用马达加斯加的金丝蜘蛛来获取它们的丝。

But Britten, and actually it was Peirce, because it's in his handwriting in the score, rewrote that because it's not about the dead.

但布里顿，实际上是皮尔斯，因乐谱上有他的笔迹，写了那部分， 因并非逝者而作， 而是生者而写。

And that was a very big case, and I became involved through the firm I was working at, Birnberg-Peirce.

那是一起大案件，我通过当时任职的律师事务所——伯恩伯格-皮尔斯律师事务所参与其中。

This special kind of icon Peirce referred to as a diagram.

种特殊的皮尔士。

Peirce uses the term for those signs that convey a certain similarity with an object.

皮尔士使用个术语来表示那些与物体有某种相似性的志。

Gareth Peirce, one of the founders of Birnberg-Peirce, had been contacted by a campaign group supporting the family of Jean Charles de Menezes.

盖雷斯·皮尔丝， 伯恩伯格-皮尔丝律师事务所的创始人之一，被一个支持约翰·查尔斯·德梅内泽斯家属的活动团体联系了。

Peirce thought that there were three distinct modes to the sign.

皮尔士认符号有三种不同的模式。

According to Peirce, only one type of sign, which he calls 'symbol', represents a conventionalized relationship with an object, and therefore comes close to Saussure's standard interpretation of the arbitrary sign.

按照皮尔士的说法， 只有一种符号，他之“象征” ，代表着与对象的约定俗成的关系，因此接近索绪尔对任意符号的准解释。

Yet it is the third type of sign proposed by Peirce (the icon) that is most relevant for the issue of iconicity and its cognitive interpretation.

然而, 皮尔士提出的第三种符号()与性及其认知解释问题最相关。

So a map of a city is a special case of icon, which Peirce called a diagram.

所以城市地是的特例 皮尔士之表。

So Peirce, in some way is expanding on Saussure's model.

皮尔士在某种程度上扩展了索绪尔的模型。