Renoir used loose brushstrokes and colors that make the whole scene look sunlit and lively.

雷用宽松笔触和颜色，整个场景看起来阳光明媚，充满活力。

France in 1841-- Renoir starts out decorating plates.

法国利摩日他最开始给瓷盘绘制装饰。

His work had been shown in an exhibition in Brussels alongside Toulouse Lautrec, Cezanne and Renoir.

他作品曾在布鲁塞尔一个展览上与图卢兹·罗特列克、塞尚和雷一起展出。

He encountered impressionism and the work of Degas and Renoir and Toulouse-Lautrec and the cabaret culture that reigned supreme.

他接触到了印象主义以及德加、雷和图卢兹-洛特雷克作品，还有当时盛行咖啡馆文化。

Renoir paints a waltzing blur to capture, not the physical details, but the intangible charm of a restaurant on Paris's Montmartre.

雷画了一幅旋转舞动模糊画面，捕捉不是具体细节，而是蒙马特区一家餐厅难以捉摸魅力。

I just went to an art exhibit here in Los Angeles a few weeks ago that was exhibiting paintings from Renoir.

几周前我刚刚去了洛杉矶这里一个艺术展，展出是雷画作。

I can only hope that her Renoir, her flower piece by Manet, her landscape by Monet, and her Gauguin do not look too dated.

我只能希望她雷、马奈花卉作品、莫奈风景画和高更作品看起来不会太过时。

The way in which Renoir moves the camera, it's dazzling, but always with a very specific purpose that is never about the kind of anxiety of boredom.

雷移动摄像机方式令人眼花缭乱，但总是有着非常明确， 不为了制造焦虑或无聊感。

Caillebotte died at 45 and left nearly 70 of his friends' paintings to the French state, including several by Renoir, thus helping ensure his exposure and eventual critical acclaim.

卡耶博特45岁去世，为法国政府留下了其多位友人近70幅画作，其中就包括雷几幅。这确保了雷为世人所知，并最终赢得评论界赞誉。

Agents also found a painting by Auguste Renoir.

特工们还发现了奥古斯特·雷一幅画。

Impressionists, like Monet, Degas, and Renoir, painted things like this: floaty, lovely, soft scenes.

印象派画家，像是莫奈、德加和雷，画风象是这样：轻盈、明亮、柔和画面。

Similar indifference greeted pictures by Pierre-Auguste Renoir, a French impressionist, and Pablo Picasso, the Spanish father of Cubism.

对于法国印象派画家Pierre-Auguste Renoir和西班牙立体派画家之父Pablo Picasso作品也是如此。

The movement was led by artists like Claude Monet, Edgar Degas, Pierre-Auguste Renoir, Camille Pissarro, and Berthe Morisot.

这场运动由克劳德·莫奈、埃德加·德加、皮埃尔-奥古斯特·雷、卡米尔·毕沙罗和贝尔特·莫里索 等艺术家领导 。

August Renoir caught Parisians living and loving in the afternoon sun.

奥古斯特·雷捕捉到了巴黎人在午后阳光下生活和恋爱场景。

Today, I had the privilege of watching an amazing print of La Grande Illusion, Jean Renoir.

今天，我有幸观看了一版精彩《大幻影》，导演是让·雷。

From Renoir and Hearth, of course.

当然，来自雷和炉边。

Pierre-Auguste Renoir observed that Manet was as important to them " as Cimabue or Giotto were to the Italians of the Quattrocento."

皮埃尔-奥古斯特·雷说，马内之于其拥护者，就如契马布埃或乔托之于十五世纪意大利那样重要。