Besides, she was too unhappy now to pursue an abstraction.

此外，她现在正觉得十分不幸，没有心思去考虑这种抽的事。

Doing science is making these abstractions.

科学研究就是这么抽。

Perhaps philosophical abstraction was itself the reason.

也许哲学抽就是原因。

They cover a staggering 200 square meters of canvas, which surround and envelop the viewer with wild gestural abstractions.

它们覆盖惊人的200平方米的画布，用疯狂的抽意蕴包围着观众。

The second thing that makes a book hard to read is abstraction.

让书难以读懂的第二个原因是抽化。

But across society, the abstraction of the idea of cash makes me uneasy.

但是在整个社会，现金概念的抽让我感不安。

Philosophical abstraction was no help in understanding Macarthur's reason for committing murder.

在理解麦阿瑟犯罪动机方面，哲学的抽并没有起任何帮助。

And these last works, in particular, were seen as a logical jumping-off point for abstraction.

尤其是这些最后的作品，它们被视为抽的逻辑起点。

He turned away from abstraction in part out of an enduring sense of political duty.

他不再画抽，部分是出于一种长久的政治责任感。

Even abstractions, like Earthly justice, are just an effort to get to that platonic form.

即使是抽概念，比如世俗的正义，也只是为柏拉图式型相而做出的努力。

And it is a timely antidote to oft-repeated abstractions about “cyberspace” or “cloud computing”.

该书也是对被热议的“网络空间”或“云计算”这类抽概念的及时说明。

And she seemed to long for the abstraction called passionate love more than for any particular lover.

她所追求的，似乎是一种超然于任何意中人的彻心彻肺的爱情。

Abstractions are often a result of noun forms that would be better used as verb forms.

单词的名词形式总是较为抽，最好用它的动词形式。

So, at best, the image is meant to float away into abstraction and multiple truths and fantasy.

所以，最理想的情况，照片也注定要转变为抽的概念、真相和想。

That hit of liberated, jubilant energy was sustained by the abstractions painted in New York after the war...

那开放又欢欣的能量冲击 通过战后纽约的抽绘画 得延续。

The pedestrian noticed nothing just now, and a clue to her abstraction was afforded by a trivial incident.

这位夜行者对周围一切都不注意，一个细小的意外倒可以看出她是有多么心不在焉。

One critic despairs that Turner delights in abstractions that go back to the first chaos of the world.

一个批评家对特纳喜欢抽的是世界的初始混沌状态的创作方式表示失望。

Bomberg begins to pioneer a unique approach to abstraction, evident in “Jewish Theatre” (1913) and “Bathing Scene” (1912-13) .

Bomberg开始开辟一种独特的抽创作方法，在其作品《犹太剧院》（ Jewish Theatre）（1913）和《沐浴场景》（Bathing Scene）（1912-13）中表现明显。

He was weary of economic and political abstractions.

他厌倦经济和政治的抽概念。

The years-long surveying project was another bold abstraction from human experience.

长数年的测量项目是对人类经验的又一次大胆抽。