Outfits included crinolines, hooped skirts, bustles, bodices and tightly laced corsets.

女性服装包括衬裙、箍裙、裙撑、女紧身马甲和紧身胸衣。

" What is that for" ? asked the young fellow, passing his hand over the crinoline or the hooks and eyes.

" 这干什么用的？" 小伙子用手摸摸有衬架支撑的女裙或者搭扣，问道。

And then the crinoline short skirt just pops out.

然后，那条衬裙短裙就突然显露出来。

And so the crinolines are much bigger.

于是紧身胸衣变得大得多。

All right, I'm off to talk to the costumer about crinoline.

好的 我得去和服装师谈谈裙子。

And it makes sense because those crinolines really were quite a lot.

这说得通，因那些裙撑确实很多。

To achieve such a voluminous skirt, she would likely be wearing at least one petticoat or crinoline.

- 获得如此宽大的裙子，她能至少要穿一件衬裙或衬裙。

In order to keep the adhesive part from sticking together, he lines them with a crinoline fabric.

止粘性部分粘连，他用马甲衬里织物将它们隔开。

The most glamorous crinoline lady of them all was Scarlett O'Hara in the 1939 film of Gone with the Wind.

最耀眼的裙撑女士莫过于1939年电影《乱世佳人》中的斯嘉丽·奥哈拉。

Identifying a crinoline lady is pretty easy.

识别一位裙撑女士非常简单。

Five or six women in silk dresses, looking very coquettish with their frizzy chignons and crinolines drawn back, were moving about and talking.

五六个身穿丝裙的女人， 往后挽着蓬松的发髻和衬裙， 显得十分风骚， 正在走来走去， 谈天说地。

The film starts with Scarlett, played by British actress Vivien Leigh, dressed in a cascade of white ruffles, a kind of whipped cream crinoline.

电影一开始， 斯嘉丽由英国女演员费雯·丽饰演，身穿一袭白色的层层蕾丝裙撑，宛如奶油般轻盈。

With the craft revival in the 70s, think macrame and crochet, the crinoline lady resurfaced in the guise of a toilet roll cover.

随着70年代手工艺复兴， 想想花边编织和钩针编织，“裙撑女士” 以卫生纸卷套的形式重新出现。

Nevertheless, there were plenty of tragic cases of death by crinoline when sparks from an open fire set skirts alight.

然而，有很多因裙撑而悲剧性死亡的案例，当时开放火焰的火花点燃裙子。

And factory girls did have to be banned from wearing crinolines to work in case they got caught in machinery.

而且工厂女工确实被禁止穿着裙撑上班，以裙撑被卷入机器中。

This is because we've moved from the smaller petticoats, like you would have seen in Regency-era clothing, and we've moved into the world of crinolines.

这是因我们从较小的衬裙过渡到撑裙的世界，就像你在摄政时代服装中看到的那种。

And I, for one, would welcome the return of crinoline ladies.

而我，就很欢迎裙撑女士的回归。

For me, this context helps explain the popularity of the crinoline lady in the mid-20th century.

对我来说，这个背景有助于释裙撑女士在20世纪中期的流行。

The people, specifically the women, who lived in these kinds of houses were the ones who embraced the crinoline lady.

居住在这种房子里的人，特别是女性，是那些拥抱裙撑女士形象的人。

The peak of the crinoline craze was the late 1850s and early 1860s, after which fashion moved on to a different silhouette.

裙撑热潮的顶峰出现在19世纪50年代末和60年代初，之后时尚界转向不同的轮廓风格。