As a new trend of thought, the epistemic naturalism has an inextricable fate of hypercorrectness.
摘然主义知识论作为一种思潮,没能逃脱矫枉过正。
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In the same way, argues Ms Burke, the popularity of single-point perspective and naturalism in drawing meant Renaissance women were bombarded with " endless images of newly realistic naked goddesses being churned out in sculptures, painting and prints" .
伯克认为,以同样方式,单点透视和自然主在绘画中流行,意味着文艺复兴时期女性被“在雕塑、绘画和版画中大量涌现新写实主风格无数裸体女神形象所轰炸”。