Sam Taylor-Wood, a contemporary of British artists like Damien Hirst and Jake Chapman, called the footage a "reverential and vulnerable image".
萨姆·泰勒·伍德,位与戴蒙·赫斯奴斯·查普曼同代的英国艺术,部录像片称之为一个“可敬的、脆弱的形象”。
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It might have been fancied, indeed, that she expected to minister to the wants of the community unseen, like a disembodied divinity or enchantress, holding forth her bargains to the reverential and awe-stricken purchaser in an invisible hand.
事实上,人们可能会认为她希望在看不见的情况下满足社区的需求, 就像一个没有实体的神灵或女巫, 用一只看不见的手向恭敬而敬畏的购买者展示她的讨价还价。
Mr. Dimmesdale was a true priest, a true religionist, with the reverential sentiment largely developed, and an order of mind that impelled itself powerfully along the track of a creed, and wore its passage continually deeper with the lapse of time.
丁梅斯代先是一位真正的教士,一位真正的宗教徒,虔诚的情感得到了极大的发展,一种思想秩序有力地推动着自己沿着信条的轨道前进,并随着时间的流逝而不断深入。