Sam Taylor-Wood, a contemporary of British artists like Damien Hirst and Jake Chapman, called the footage a "reverential and vulnerable image".
萨姆·泰勒·伍德,这位

·赫斯特和狄奴斯·查普曼同
代的英国艺术家,把这部录

之为一个“可敬的、脆弱的形象”。
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(
)
) It might have been fancied, indeed, that she expected to minister to the wants of the community unseen, like a disembodied divinity or enchantress, holding forth her bargains to the reverential and awe-stricken purchaser in an invisible hand.
事实
,人们可能会认为她希望在看不见
情况下满足社区
需求, 就像一个没有实体
神灵或女巫, 用一只看不见
手向恭敬而敬畏
购买者展示她
讨价还价。