He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马尔森的作品重新搬上舞台，同时编排了当目，尽管他这个对调极其讲究的家但对当并不喜欢。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马尔森的作品重新搬上坛，并把大量当列人演奏目，尽管他极其讲究调性，不大喜欢当。