He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尼尔森的作品重新搬上舞台，同了当代乐目，尽管他这调极其讲究的乐家但当代乐并不喜欢。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尼尔森的作品重新搬上乐坛，并把大量当代乐列人演奏目，尽管他极其讲究调性，不大喜欢当代乐。