Only " Camille" and " Ninotchka" receive enthusiastic praise-but even Garbo's best films now come across as gauzy melodramas at best, camp spectacles at worst.
There is a certain melodrama to it that seems to care more about dramatic conflicts and twists than with communicating the nuances of a real-life socio-political situation.
They staged mostly melodramas. But Namir Vich Den Chenko who we've mentioned and his partner famed theatre director Constantin Stanislavski wanted a theater devoted to realism and naturalism.