The two writers are not dissimilar in style.
那
作家的文
并没有什

。
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Elbert Hubbard was one of the most original authors who ever stirred up a nation, and his stinging sentences often aroused fierce resentment. But Hubbard, with his rare skill for handling people, frequently turned his enemies into friends.
作家埃尔伯特·哈伯德文风犀利,其言论往往会引

人的怨恨,甚至举国骚动。 不过,哈伯德总
可以凭借自己处理人际关系的宝贵经验化干戈为玉帛,将敌手转化为自己的朋友。
He married happily, although his Portuguese in-laws initially objected to the color of his skin Beneath all this outward respectability his prose was radically ingenious ever since the posthumous memoirs of Braska's machado's fifth novel appeared in 1881.
他幸福地结婚了,尽管他的葡萄牙岳父母最初反对他的肤色。在这看似正派的外表之下,自从布拉扎斯的马查多第五部小说中的遗作于1881年出版以来,他的文风

具创新性。
The tone varies—a slaughter of nuns on a Normandy beach is scripted like a drawing-room farce, while Oscar's poetic voice both enchants and revolts as he describes a fisherman hauling up a horse's head, writhing with eels.
文风变化多端——诺曼底海滩上修女遭屠杀的场景被写成
出客厅闹剧,而奥斯卡富有诗意的声音则在描述
位渔民打捞起
条缠绕着鳗鱼的马头时, 既令人着迷又感到反感。他将我们引入了他对艺术、马戏团矮人、护士以及他引诱的女性的迷恋所构成的盲巷。