In chapter thirteen, Aristotle outlines an ideal of the central character of tragedy, the so-called tragic hero, and identifies the source of the character's downfall with something called hamartia.
在第十三章,亚里斯多德
了一个
剧中心
色--
剧主人公的理想,并指

色的堕落是因为一种叫“
剧性缺陷”(hamartia)的东西。





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