This sparks a discussion on how to effectively protect the copyrights of original cultural works.

这引发了关于如何有效保护原创化作品著作权的讨论。

Article 46. Performance by foreign performers taking place in China shall be protected by the Law.

第四十六条 外国表演者中国境内的表演，受著作权法保护。

The Holmes news specifically also marks the end of a tortured legal debate about how copyright law should treat the character.

福尔摩斯的新闻也标志着关于著作权法案应该如何对待这个角色的长期法律争议的结束。

Article 47. Audio and video recordings produced and distributed in China by foreign producers shall be protected by the Law.

第四十七条 外国录录像制作者中国境内制作并发行的录录像制品，受著作权法保护。

The public domain lets anyone republish, remix, or remake works without the permission of the rights holder — typically long after the original author is dead.

公有领域允许任何人未经著作权人许可的情况下重新出版、翻拍作品——通常是原作者过世很长时间后。

In addition, with the improvement of people's awareness of copyright, the heating discussion of similar public events can also play a role in social surveillance.

此外，随着人们著作权意识的提高，类似公共事件的热议也能起到社会监督的作用。

Article 41. Articles 29,30,31 and 33 of the Law shall not be applicable to the case where the cost of publication of a work is born by the author.

第四十一条 由著作权人承担出版经费的，不适用著作权法第二十九条、第三十 条、第三十一条、第三十三条的规定。

By the late 1700s, that gap between Shakespeare's growing reputation and the general lack of information about him started to fuel questions about the authorship of the plays.

到了18世纪末，莎士比亚日益增长的名声与其个人资料普遍匮乏之间的差距，开始引发对其戏剧著作权归属的疑问。

Article 45. With reference to Article 35 of the Law, payment of remuneration by performers to copyright owner shall be done through the person who has organized the performance in question.

第四十五条 依照著作权法第三十五条的规定，表演者应当通过演出组织者向著作权人支付报酬。

Article 37. Publishers, performers, producers of audio and video recordings and radio and television stations, in the course of exercising their rights, shall not prejudice copyrights their owners enjoyed in the works being used.

第三十七条 出版者、表演者、录录像制作者、广播电台、电视台行使权利， 不得损害被使用作品和原作品著作权人的权利。

But in 14th century China, attributing authorship to one person may in fact denote that they were the chief compiler and editor of a large number of texts by earlier storytellers.

但14世纪的中国，将著作权归于某人名下，实际上可能意味着他们是众多早期说书人作品的主要编纂者和编辑者。

In Middlemarch admiration was more reserved: most persons there were inclined to believe that the merit of Fred's authorship was due to his wife, since they had never expected Fred Vincy to write on turnips and mangel-wurzel.

米德尔马契，人们对他的钦佩更为含蓄：那里的大多数人都倾向于认为弗雷德的著作权归功于他的妻子，因为他们从没想过弗雷德·西会萝卜和曼格尔-沃泽尔上写作。