“So the poets keep on trying, and sooner or later the consecutive results of their self-dissatisfaction are clipped together with a giant paper clip by literary historians and called their 'oeuvre'.”
Although this does not sound like a particularly rich image, a metaphor can communicate so much about a particular image that poets use them more than any other type of figurative language.
I tell people it involves creating poetry that doesn't just want to sit on paper, that something about it demands it be heard out loud or witnessed in person.
It's when the Normans invade Britain and they interact with all of the Welsh bards and those tales all get, you know, transported to the continent and they elaborated on them and they spread like wildfire.
By this time, writers and poets from England had also begun to notice Whitman's poetry and talk about it in a favorable light – that is, say that they liked it.
It may currently be ruled by clerics but they run a country steeped in the mysticism of the Sufis, where for centuries the poets wrote of wine and women and love.