Dylan brought high poetic traditions into the popular vernacular.

迪伦把诗传统转化成了流行白话文。

Everyone was wounded. As for him, he was a tragic hero straight out of the Poetics: neither a villain nor a virtuous man, but someone in between.

每个人都受伤了。对他来说，他是《诗》中悲剧英雄：他既不是坏人也不是好人，而是介乎两者之间人。

According to poetic accounts, he once carved runes on a horn filled with poison, causing the horn to shatter.

据诗，他曾将如尼文字雕刻在盛满毒药动物角上，这一举动粉碎了这只角。

Editions of Terence appeared late in the fifteenth century, followed by translations of Greek tragedies and Aristotle's Poetics.

特伦斯法语版本出现于15世纪晚期 之后是希腊悲剧和亚里士多德诗翻译版。

Moreover, several years of poetic study, and, if the truth must be told, poetic efforts, had tended to develop the affective side of his constitution still further, in proportion to his active faculties.

此外，几年诗研，如果必须说实话，诗努力，倾向于进一步发展他体质情感方面，与他活跃能力成正比。

The classical influence was most apparent in French drama, which during the 17th century adopted a reinterpretation of the conventions of Greek theatre, as described in Aristotle's Poetics.

古典影响在法国戏剧中表现得最为显著，17世纪时，法国戏剧采纳了亚里士多德《诗》中所述希腊戏剧传统释。

It's not just about supply side poetics, like who's telling the story, but it's also about audience need and their response to it.

这不仅仅关乎供给方诗，比如谁在讲述故事， 还涉及观众需求及其对此反应。

Ours Poetica brings you a new poem three times a week, read by poets, writers, artists, and unexpected but familiar voices.

《我们诗》每周三次为你带来一首诗，由诗人、作家、艺术家以及一些意想不到但熟悉声音朗读。

On the use of multiple parallel texts as a comparative method in cognitive poetics.

关于在认知诗中使用多个平行文本作为比较方法。

Heywood's interludes were written between 1520 and 1540, among which the most famous is The Four P's, a contest of wit between" a Pardoner, a Palmer, a Pedlar and a Poticary." The characters here strongly suggest those of Chaucer.

海伍德插曲写于 1520 年至 1540 年之间，其中最著名是 The Four P's，这是一场“赦免者、帕尔默、小贩和诗家”之间智慧竞赛。这里人物强烈暗示了乔叟人物。

Lucas, Frank L. Tragedy: Serious Drama in Relation to Aristotle's Poetics.

Lucas, Frank L. 悲剧：与亚里士多德诗相关严肃戏剧。

Aristotle, in his Poetics, insists that this is the mark of every good story, novel, or play.

亚里士多德在他《诗》中坚持认为这是每一个好故事、小说或戏剧标志。

3 Goldhill writes, " Aristotle's Poetics, in short, is a theory of tragedies, not a theory of the tragic." 4 I think this is right.

3 戈德希尔写道， “简而言之，亚里士多德诗是一种悲剧理论，而不是悲剧理论。 ” 4 我认为这是对。

But this is a precious indication that by the time of the composition of the Poetics, the texts of the tragedies were available.

但这是一个宝贵迹象， 表明在诗创作时候，悲剧文本已经存在。

Aristotle, Poetics, trans. Stephen Halliwell (Cambridge, MA: Harvard University Press, 1995), 19. All subsequent references to this edition are given in the text with reference to the Greek pagination.

1. 亚里士多德，《诗》，译。 Stephen Halliwell（剑桥，马萨诸塞州：哈佛大出版社，1995 年），19。此版本所有后续参考文献均在正文中参考希腊文页码给出。

The latter is the transition from ignorance to knowledge and Aristotle is clear in Poetics XVI that the best kind of recognition is accompanied by reversal.

后者是从无知到知识转变， 亚里士多德在《诗 XVI》中明确指出， 最好认识伴随着逆转。

This is why Aristotle is so insistent in the Poetics that a tragic plot should be plausible and its events convincing.

这就是为什么亚里士多德在《诗》中如此坚持悲剧情节应该是合理， 它事件应该是令人信服。

The relative or perhaps apparent absence of judgment in the Poetics is striking.

《诗》相对或明显缺乏判断力是引人注目。

Imitation is best thought of as enactment, and, in the final words of his discussion of tragedy in Poetics XXIII, Aristotle even speaks of to prattein mimeseos, enactive imitation (1459a16).

模仿最好被认为是表演，而且，在他在《诗 XXIII》中讨论悲剧最后一句话中，亚里士多德甚至谈到了 prattein mimeseos，即主动模仿 (1459a16)。

In a passing clause of Poetics XXV, Aristotle appears to quote Sophocles when he said that the latter " created characters as they ought to be, Euripides as they really are" (1460b32–33).

在《诗 XXV》一个从句中， 亚里士多德似乎引用了索福克勒斯话， 他说后者“创造了他们应该成为人物，欧里庇得斯创造了他们本来样子” （1460b32-33）。