The aim of poetry is to please.

的目的在于人愉悦。

He wrote reams (and reams) of verse.

写了很多很多的。

No such feelings for so long time, which can nearly be cast back to the prelife,until recently.

还有李白的那首著名的“两人对酌山花开 ，一杯一杯复一杯。我醉欲眠卿且去，明朝有意抱琴来。”

This poet is well-known for his -bling verses.

这位人以韵律不全的而闻名。

Play Audio When the frost is on the punkin (and the fodder's in the shock).

指入秋，天气开始转凉。出自 James Whitcomb Riley 的《霜降南瓜》。

He carried an ancient Greece heptachord hither and thither, chanting his poems to people he met.

希腊古代的七弦竖琴，四处漂泊，把自己的吟唱给人们听。

In Milton’s poem, Satan, even after his fall, dimly reflects his former glory.

在弥尔顿的中，撒旦即便失败后，也能依稀出昔日的荣光。

You can't equate his poems with his plays.

你不能把的跟剧本相提并论。

The poem is entitled Ode to Skylark.

这首的题目是《云雀颂》。

A thread of sorrow winds through her poetry.

她的流露出一缕忧思。

My verse your virtues rare shall eternize.

我的你的美德长留。

With the accompaniment of the heptachord, the poems sounded beautiful and fascinating and were greatly popular with people.

的在七弦琴的伴奏下，美妙动听，情节精彩，深受人们的欢迎。

His poems are still in manuscript.

的尚未付印。

His poem has a pleasing rhythm.

的有和谐的韵律。

We were exalted by his poems.

的激发了我们的想象力。

The poems of this phase had generally a narrative thread that was reduced at times to a shadow-and they rambled gracefully, argumentatively, variously.

这一阶段的，一般有一条有时谈到只剩一点影子的叙事的线索，这些就是这样优雅庄重地，追根究底地，变幻多端地抒写下去。

The upper texts often became a confusing mixture of sacred and secular—and even anticlerical—poems, indicating its intended performance in courtly as well as ecclesiastical settings.

前半部分通常是圣或世俗甚至是反教会的结合，表明其通常是在宫廷或宗教场所演奏的。

Ai Qing's advocacy for prosaic beauty of poetry would lead to the exile of poetic linguistic formal beauty and the flood of prosaism in poetry.

提倡“的散文美”，其消极的影响是导致的语言形式美的放逐、的散文化的泛滥。

Sonnets, Jintishi, Villanelle, Ruba’i, Sijo and Sestina Ode, Ghazal, Pantoum, Rondeau, Haiku, Ghazal and Tanka Lots of poetic forms Which one is your top choice?

十四行、Jintishi、Villanelle、Ruba'i、 Sijo和Sestina 抒情、Ghazal、Pantoum、、俳句、Ghazal和短歌许多形式您的顶面选择是哪个？

Spenser's continuation and divergence from the Arthurian romance tradition are discussed in order to clarify the dialectical equiponderant relationship between romance and allegory of the poem.

主要讨论的对象为史氏的与传统亚瑟王传奇结构之间的关连，目的在说明史氏中传奇与寓言的均势辩证关系。