Here we could look at this way with this particular interval and this particular interval.

我们可以这样看这个特别的音程 还有这个。

" Those chords give the fifth and the octave, " said Mr. Fogg.

" 这些出的音响，是五度音程和八度音程。" 福克先生说。

C up to G is a fifth. It spans five letter names.

C到G是五度音程 跨度为五个音名。

This interval from C up to E is the interval of a third because it spans three letter names.

它从C到E 是三度音程因为它跨过了三个音名。

We can just play with that particular interval to change entirely the way we feel about particular melodies.

我们只需关注这特别的音程是如何彻底改变我们对某些旋律的感受的。

There are multiple frequencies being played, all separated by octaves.

演奏的频率有多个，它们都以八度音程相隔。

" Octave." Well, up to the next A, that is.

“八度音程”。好吧，到下个A音。

And these two notes in the bass, that's a tritone interval.

低音中的这两个音符，就是三全音程。

Then the spaces between the notes are called intervals in English.

音符之间的空隙在英语中被称为音程。

Friendships developed among people who would have no reason to meet without Polyphony.

在多音程四重奏乐团中， 人们建立了友谊， 这些人如果没有多音程四重奏， 根本就没有理由见面。

It has, you know, octave leaps.

你知道，它有八度音程的跳跃。

Polyphony began in 2006 at a small school in Nazareth to bring classical music to Arab children.

多音程于2006年在拿撒勒的所小学校开始， 旨在将古典音乐带给阿拉伯儿童。

Four young musicians – two Israeli Jews, two Israeli Arabs – perform under the name the Polyphony Quartet.

四位年轻音乐家——两名以色列犹太人和两名以色列阿拉伯人——以“多音程四重奏” 的名义进行表演。

At New York's Unitarian Church of All Souls, Polyphony Quartet played a piece by Mozart.

在纽约的全灵魂神论教会， 多音程四重奏演奏了首莫扎特的作品。

Steve and Naomi spoke in musical code: lines, beats, intervals, moving from the root to end a song in a new key.

谱线、节拍、音程，首歌从开始的根音到结尾的另个音调。

I haven't written them down, but a third, a fifth, an octave.

我还没有把它们写下来，但有纯三度、纯五度和八度音程。

Among those listening were Craig and Debora Cogut, co-founders of Polyphony.

听众中包括多音程基金会的联合创始人克雷格和德博拉·科古特。

So, the interval could be a small interval, like a tone or a semi-tone, or a larger interval.

所以， 音程可以是小音程， 比如全音或半音，也可以是大音程。

So, G to F sharp, of course, is a semi-tone;the smallest you can get.

所以，从 G 到 F 升音，当就是个半音；这是最小的音程了。

In music there is a numerical ratio by which different notes must be separated in order to achieve concordant intervals.

在音乐中, 有个数字比例, 不同的音符必须分开, 以达到致的音程。