What he craved was neither luxury nor the high rhetoric of history painting, but apprehensible truth, visible, familiar, open to touch and repetition.
他渴求的既非奢华也非历史画的极尽修饰,而是可理解、看、觉熟悉、摸到且可重复的的实。
What he craved was neither luxury nor the high rhetoric of history painting, but apprehensible truth, visible, familiar, open to touch and repetition.
他渴求的既非奢华也非历史画的极尽修饰,而是可理解、看、觉熟悉、摸到且可重复的的实。
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