The film concludes with a threnody about the unwanted.
影片悲歌结束了。
The film concludes with a threnody about the unwanted.
影片悲歌结束了。
There is a subdued atmosphere in the school at exam time.
在考试期间,学校里有种氛围。
Her pent-up anger was released in a torrent of words.
她愤怒滔滔不绝话爆发了出来。
The knowledge of future evils mortified the present felicities.
对未来苦难了解了目前喜悦。
I felt strangely subdued when it was all over.
切都结束候,我却有种奇怪感。
Her feeling of depression was transient.
她心情会儿就过去了。
In this way, humanity may rid itself of depressive implication and men can habitate poetically on this land.
这样,人文便可失去它性含义,人便诗意地栖居在这片大地上。
And this was the fifties, the grayest, bleakest, most blinkered and culturally repressive period in the entire second half of the twentieth century, especially in small-town America.
再说,那可是五十年代啊。在整个二十世纪后半期,这是最阴郁,最黯淡,最盲目期,也是文化上最期。美国小镇上生活更是如此。
Perhaps we have unconsciously repressed such bestial and horrific attributes only to see them reoccur in what is simply another manifestation of the same evil presented by the Antichrist.
也许我们曾经无意识自己对这些残忍可怕事物印象,反而让我们不停看到是同个邪恶生命,反基督者,不同显现。
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