The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.
荒诞的场面描写和幽默的语言风格是种喜剧化色彩的主要手,作家举重若轻,意味长,思。
The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.
荒诞的场面描写和幽默的语言风格是种喜剧化色彩的主要手,作家举重若轻,意味长,思。
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