Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.
低管接着发出安转折信号,带出了漫游式钢主题。同时钢转变为最弱十六分伴奏。
Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.
低管接着发出安转折信号,带出了漫游式钢主题。同时钢转变为最弱十六分伴奏。
A barely audible ff septuplet of semiquaver chords and two rabid glissandi are thrown in by the soloist, before piano and bass section end the movement in five different Gs.
独奏者敲出一个几乎听不清使用最强十六分七连和和两个狂燥滑,然后,钢和铜管部分在五个不同G上结束了本乐章。
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