where either of us as directors, we're doing a project in which all the content is in human emotions and what people say, we ask ourselves the question, how am I going to express this?
How am I going to capture this?
How am I going to impact the audience with this?
And it's particularly important when it really is a dialogue-driven, character-driven movie.
And again, I go back to that same moment when she leaps over the corner of the bed and she leaps right into the camera and the camera's on the ground and it's perfect.
There is no other place to put... There's one place to put that camera.
Michael Mann said, my camera placement is perfect.
We can end this interview.
Hi.
Hi, Michael.
