There was nothing newsy, few concrete details of anything.
没有什么
的新闻，谈论的任何事都缺少具体细节。
There was nothing newsy, few concrete details of anything.
没有什么的新闻，谈论的任何事都缺少具体细节。
Basing himself on the realities of his life,the painter successfully integrated realism and artistic exaggeration.
画家根据自己的现实生活,成功地把现实主义和艺术结合起来。
The characters in this novel are rather overdrawn.
本小说中的人物描写得有些。
Cheeks--Well developed chewing muscles, but not so much that "cheekiness" disturbs the rectangular head form.
面颊部咬合肌发达，但
能太以至于变成“厚脸皮”，而破坏了矩形头部的整体外观。
It would be a bit of an exaggeration to say that I’m desperate to leave.
说我渴望离开是有点。
He's not an overacter or a fake posturer.
他表演起来一点也过火、矫揉造作。
American humor is founded largely on hyperbole.
美式幽默主要以为基础。
It is no exaggeration to say that having a baby changes your life.
有了小孩会改变人的一生，样说并。
'I had fallen through a trapdoor of depression,' said Mark, who was fond of theatrical metaphors.
“我坠过一道消沉的活板门，”喜欢用隐喻的迈克说道。
She always makes some theatrical gesture.
做些的手势。
His style of choreography is flamboyant.
他的舞蹈设计风格是复杂的。
Wordsworth campaigned against exaggerated poetic diction.
华兹华斯发起一场运动，反对诗歌中的用词。
His claim about the number of people killed in the spring forest fire was evidently overstated.
他所说的春天森林大火中的死亡人数显然是了的。
Wearing the buskin gave the Athenian tragic actor a larger-than-life appearance and enhanced the intensity of the play.
厚底靴的穿着赋予雅典悲剧演员一种比实际生活的外表，同时也提高了戏剧的强度。
When we realised we were being filmed, we all started behaving differently, hamming it up for the cameras.
意识到正拍电影，我们举止都跟平时一样，镜头前做作起来。
Please extend my regrets to his majesty. I bid you farewell, arrivederci, sayonara, and all that sort of jazz.
请对陛下我对他的威严的遗憾。我叫你告别，再见，再见，和所有那爵士乐。
Fantasy yarns mixed to flat ones, never very thick, with different aspect: boucle, jaspe, vrille, hairy, felted, tweed, but never exaggerated.
较特殊的纱线，本主题中并无粗纱，纱线外观有同的变化：小圈圈、异色合股、螺旋状钮结、多毛、缩绒等，但都会有太的表现。
I practice the consonant V hard by biting my lower lip.I often read aloud the words such as drive, vegetable and five turgidly.
我经常咬下嘴唇，苦练[v]个音，地朗读drive,vegetable,five等单词。
It is perhaps not too much to say that any calamity the moment it is apprehended by the reason alone loses nearly all its power to disturb and unfix us.
毫地说，任何灾难，一旦被理性“俘获”，便已然丧失的了扰乱人心之力。
The exterior element of the product almost by complete oversight, do not have any hyperbole to be decorated flightily, what all work state it seems that is a kind of reflection contrail.
产品的外观因素几乎被完全忽略，没有任何浮躁的修饰，所有的作品似乎陈述的都是一种思考的轨迹。
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